It’s high time we talked about something that’s been gnawing at me for a while now. Everywhere I look, I see people subscribing to the latest fads and gimmicks, while genuine, hard-earned talent gets sidelined. It’s like watching a train wreck in slow motion, and I can’t just stand by anymore.
I’m excited to share another facet of my creativity with you all. Beyond the insights and discussions we have here, I have a deep passion for music—I’m a rap artist. In the coming weeks, I’ll be sharing some of my tracks with you. Please note that my music carries a different vibe from what you read on this blog. It’s raw, it’s real, and yes, it’s explicit, with strong language and themes of violence in some tracks. But isn’t that a perfect example of freedom of speech? Just something to think about, lol.
We’ve honed our craft, and there’s a dedicated audience that loves what we produce. Yet, it seems we’re still just a blip on the radar. So, for those who’ve been part of my journey here, when I share my music in an upcoming blog post in the coming weeks, it shouldn’t come as a surprise. And for those who might not vibe with rap, that’s perfectly okay. You choose what resonates with you—no hard feelings. After all, it’s just a post, and you’re free to skip over it if it’s not your cup of tea.
We live in a world that’s more connected than ever, yet it seems like the wires are crossed when it comes to recognizing true skill and artistry. It’s not just me either; there are countless talented individuals out there who are getting seriously overlooked. It’s not just unfair—it’s a cultural loss we’re all suffering from.
So, what’s going wrong? Why does it seem like the most ‘viral’ content is often the least valuable? It’s a complex web of visibility, perception, and opportunity—or the lack thereof. Talented creators might not have the platform to showcase their abilities, or they’re drowned out by the noise of whatever’s trending. And let’s not forget about the biases and market trends that overshadow raw talent.
But here’s the kicker: talent, real talent, has the power to inspire, to innovate, and to change the game. It’s the kind of stuff that pushes humanity forward, that makes life richer and more interesting. We can’t afford to let that slip through our fingers.
That’s why I’m calling for a change. We need to create spaces—like this blog—where true talent is recognized and celebrated. We need to amplify the voices of those who have something genuine to offer. It’s not just about giving credit where it’s due; it’s about nurturing a culture that values depth over dazzle, substance over style.
I subscribe to people who showcase true talent, and we engage with content that resonates with us because it’s good. Yet, here I am, on this platform every day, witnessing our subscriber count fluctuate inexplicably—numbers rise only to fall again, as if by design, to undermine our efforts. It’s disheartening and ridiculous all at once. Does anyone appreciate or want to support real talent anymore? There are many of us brimming with potential, feeling like we’re getting nowhere. It seems we’re letting trivialities overshadow greatness, and in doing so, we’re regressing. As patient as we’ve been, there comes a point where we must say, “Enough is enough!
And to the talented ones reading this: don’t give up. Your work matters, and there are people out there who will recognize it. Keep honing your craft, keep pushing boundaries, and know that your time to shine is coming.
It’s time to shift the spotlight back to where it belongs. Let’s make sure that real talent doesn’t just get a nod of recognition but a standing ovation.
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I think in my years of working in the music industry and being a studio artist to voice acting or even doing drag-male voice or rather a female doing a heightened tenor male voice – something I picked up in Anime Production + Animation along with being a natural born Contralto and my Italian Heritage inexplicably calling for a trip to the Motherland (which is apparently New Jersey haha, since all the greats crossed over the rake with their family in the 40s) to learn and later teach the ways of Opera. Then a deep-dive into ~anything~ Carnegie Hall which was Viola and orchestral centric. I’m a multi-instrumentalist but my favorite has always been drum kits to be honest. Which seems lame to most.
I did my Top 40 packages to last 26 years and they’re still coming out. Am I ashamed? Yes. But what else to do when the Slouch-Hat West&East knock on your door and someone hears that baby on the radio wondering who it is… Gets me out the house for the summer, I took the job.
Once I went to Satellite I felt much better. Music Videos took a long part of my life while doing A/V and Visuals. Album Cover Art etc. whether it’s real-figures, models, or graphic design and logo-making. They still happen on the fly from time-to-time. I shoot everything as a Documentarian and very little is staged.
Most of that life was created years ago and I invested in streaming services after the torrent-years left me flat broke and I took revolted to release my own songs on the internet in defiance of censorship in the radio, while I was starting work at the FCC since I was in Radio, Media, Film, and Tech-serveci.
The whole scope. I made a BandLab beat and its just under my Spotify name. And I got this problem where my recording companies ain’t gonna allow to put my name on there – bc well I’m the Owner so everything on there I have the Rights_-Master to. What can ya do, I crate dug. I’ve created music my whole life. I was a sellout to take a job as a kid. While I maintained ghost-production and staged-names and created universe of lore and digital bands and genre-detective-scouts and all this cool stuff.
And it’s still not good enough for most things that hit Today’s Hits and my music is too explicit or too dark or so vibey its nostalgic bc I defined a social media generation on accident with a tag name and told no one I worked in IT under contract as a Marine, ServiceMember, and Gov.
Like I got my education from Harvard in all that time, including Julliaardd and Julliard. So I’m not…unqualified. frankly, I feel embarrassed Im mostly not self-taught. I had talent, it was seen, and the scholarships scouted my interests, passions, pursuits, and hobbies well – and I still don’t make media for the masses. And I rather get a toblerone for a snack that takes a stage in some stupid runway dress I designed as a child also working design-houses overseas and take an award and fudge up my whole life bc I’m have a severe social-anxiety moment and trying to breathe and my speech impediment and lisp comes out and I’m all ashamed and guilty I didn’t represent myself well as an artist.
We’ve all been there. Never give up on music. It took curating playlists for many years, and somehow sharing those on my page have helped me show my music too. Whether it says Sam in there or not.
Even for those I represent as a Free-Agent – your live music is not my artistic creativity therefore; you always retain your rights, royalties, and contract-specified who gets the Master for the Record. Bc I only spin vinyl then emulate digital.
It’s costly. My clients make hella money most of the time and I handle their social media and marketing. Do I get to everyone? No. Imagine the actors and celebrities I be hating on I hired for good reason.
Satirism and Wu-Tangin’ the Media.
And my generation dared with mumble rap, SoundCloud rap, and emo rap.
Yet never heard of Redman, Bhusta Rhymes, and Hollywood Undead.
I got those covered. We wait to see if they find it. I find it works out better this way. Indie till the day I die 😎🤙🏼
If Neil Young, is back on Spotify. Many cordialities and somehow pieces perusing my work as a writer knowing it was me the whole time – I think anything can happen. And it’s best to respect the process of the artist in their own way. Even if it takes a long time. Made me cry a little when I played Harvest Moon bc it’s been in my head since the first time I heard it and my dog Pip was sitting with me and id been sad for years since he took his music off. Gaps in my playlists, sigh. They left. And then it came up somehow, back on the playlist like the little space was never lost.
And she had the same look on her face, even as a lil 5 year old chiweenie. That I had a bit younger than her.
It’s powerful for all of us. Moments like that that Artists create. Individuals, at that. And especially in their creativity.
Very excited, John 😄
I’ll be waiting!
Apologies for the long comment it meant a lot to me to!!
Sam, your journey through the music industry is nothing short of remarkable. From your roots in voice acting and anime production to your deep dive into the world of opera and orchestral music, you’ve embraced an incredible range of artistic endeavors. It’s clear that your passion for music and creativity knows no bounds.
Your candid reflection on the highs and lows of your career is truly inspiring. The music industry is notoriously challenging, yet you’ve navigated it with resilience and a spirit of innovation. Your work in A/V, album cover art, and your contributions to streaming services speak volumes of your adaptability and foresight.
It’s fascinating to hear about your BandLab beat and the complexities of owning rights in the recording industry. Your commitment to authenticity and artistic freedom, even in the face of censorship, is commendable.
Your dedication to representing artists as a free agent and ensuring their rights and royalties are respected is admirable. The music industry needs more advocates like you.
I don’t mind the long comments. I appreciate those who take the time to speak freely from the heart. Thank you very much, Sam. I appreciate you.
As always, John. Just glad I could put some input into a wonderful piece with very thoughtful and aware-sentiments 😄
😎